Humanities - Understanding Creativity and Creative Writing (English)

6    Thursday, May 08, 2025   

Starting a new Lecture Notes Series on Humanities - Understanding Creativity and Creative Writing

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Humanities - Understanding Creativity and Creative Writing By Lecture Notes together!

Lecture 1: Overview

Lecture 2: In Conversation with Richard Schechner

Lecture 3: Multilingual Plurality: Our Environment

Lecture 4: Multilingual Plurality: Our Environment

Lecture 5: Interplay of Languages and Forms of Writing

Lecture 6: Interplay of Languages and Forms of Writing

Lecture 7: Creativity and Cultures

Lecture 8: Notion of Play and The Three Domain Activities

Lecture 9: Theory of Enjoyment: Critical Assessment

Lecture 10: Divergences and Convergences

Lecture 11: Divergences and Convergences

Lecture 12: Creative and Cultural Spaces for Students

Lecture 13: Being and Doing: Writing as Performance

Lecture 14: Writers and Writing: The Dialogic Process

Lecture 15: Creativity, Writing, Creative Writing: Recent Viewpoints

Lecture 16: Issues Related to the Teaching of Creative Writing

Lecture 17: Writers on Writing: Albert Camus

Lecture 18: Critical Reading of Great Writers: Albert Camus

Lecture 19: Critical Reading of Important Writers: Margaret Atwood

Lecture 20: Reading and Writing

Lecture 21: Indian Writing: Writers/Narrators

Lecture 22: Contemporary Indian Writers: The Search for Creativity (I)

Lecture 23: Contemporary Indian Writers: The Search for Creativity (II)

Lecture 24: Mosaic Patterns: Module 2

Lecture 25: Introduction to Drama

Lecture 26: Performance and Script Writing: Mime

Lecture 27: Western Classical Theory

Lecture 28: Student Response (I)

Lecture 29: Indian Drama: Classical Theory and Practice

Lecture 30: Interacting Continuum: Classical, Folk and Modern Drama

Lecture 31: From The Perspective of Playwriting: Monologue

Lecture 32: From The Playwright's Perspective

Lecture 33: From The Playwright's Perspective

Lecture 34: From The Perspective of Playwriting: Anton Chekhov

Lecture 35: Drama in the Classroom: Experience and Writing

Lecture 36: Student Response (II)

Lecture 37: Performative Reading of the Cherry Orchard

Lecture 38: Short Story as a Genre

Lecture 39: Short Stories by Indian Women Writers

Lecture 40: Modern Western Short Story

Lecture 41: Varieties of Writing Processes